‘everything About The Pl Essay, Research Paper
An argument to support the view that “everything
about the play [King Lear] hangs on the first two scenes not
just the plot but the values as well.”
“King Lear, as I see it, confronts the perplexity and mystery of human
action.” (Shakespeare’s Middle Tragedies, 169) As the previous quotation
from the scriptures of Maynard Mack implies, King Lear is a very complex
and intricate play which happens to be surrounded by a lot of debate. “The
folio of 1623, which was, as is well known, edited by two of Shakespeare’s
fellow actors” (Notes and Essays on Shakespeare, 242), contains not only
historical errors, but errors which pertain to certain characters speaking other
characters lines. Amidst all the controversy one fact can be settled upon by
all; King Lear is one of Shakespeare’s best tragedies. While being a great
play, the bulk of the plot in King Lear comes mainly from the first two scenes
where most of the key events happen. Along with the plot there is also
extensive amounts of setup that occur within the dialogue which key the
audience in on the morals and values of the characters. Marilyn French is
completely accurate when she states that “Everything about the play hangs on
the first two scenes not just the plot but the values as well” (Shakespeare’s
Division of Experience, 226).
The opening scenes of King Lear do an immaculate job of setting up
the plot and forming the basis for all the events which occur in the later
scenes of the play. “The elements of that opening scene are worth pausing
over, because they seem to have been selected to bring before us precisely
such an impression of unpredictable effects lying coiled and waiting in an
apparently innocuous posture of affairs.” (Shakespeare’s Middle Tragedies,
170) Not only do the opening scenes impress upon us what events could
happen in the future, they seem to give us the whole plot in a neatly wrapped
package. After the first two scenes are over the audience is basically just
along for the ride, waiting to see how the events given to us in the opening
scenes unfold. “As we look back over the first scene, we may wonder
whether the gist of the whole matter has not been placed before us, in the
play’s own emblematic terms, by Gloucester, Kent, and Edmund in that brief
conversation with which the tragedy begins.” (Shakespeare’s Middle
Tragedies, 171) In the first scene Lear, having realized that death is closing
in on him, decides to divide his land between his daughters. This is one of
the most pivotal points in the play as the effects of this action are enormous.
Lear ends up casting aside Cordelia, who is the only daughter he has who
truly loves him, and gives all his land to his other two, power hungry,
daughters. The other pivotal point in the first scene which has a huge affect
on the rest of the play is the inclusion of the talk about Edmund. Edmund
realizes that, due to his illegitimacy, he can never amount to anything. “The
first action alluded to is the old king’s action in dividing his kingdom, the dire
effects of which we are almost instantly to see. The other action is
Gloucester’s action in begetting a bastard son, and the dire effects of this will
also speedily be known.” (Shakespeare’s Middle Tragedies, 171) The
consequences of these two actions are what the whole play revolves around.
The division of Lear’s kingdom causes Reagan and Goneril to realize that
“Lear had lived long, but he had not learned wisdom.” (Notes and Essays on
Shakespeare, 262) As they begin to realize just how easy they can take
advantage of him, Lear begins to see this as well and is furious, at first, then
his madness starts to set in. Gloucester’s bastard son, Edmund, plays a very
important role in the plot of the play as well. His struggle for power and
notoriety causes much havoc throughout the play. He deceives both his
brother and his father just so that he can advance his title. While the extreme
outcomes of the two actions noted are not known until after the first two
scenes of the play, they are the two most important pieces of plot information
that are given throughout the length of the play. The fact that the two most
important pieces of plot information are structuralized in the two opening
scenes of the play add a profound amount of credit towards Marilyn French’s
opinion that everything about the play hangs on the first two scenes.
The plot of King Lear is not the only part of the play that rests on the
first two scenes. An enormous amount of the dialogue is specifically used to
reveal the values and morals of each char
the values that each character has in order to have a greater understanding of
why the play unfolds the way it does. For example, it would be hard to
believe that Goneril and Reagan could be so contemptible to their own father,
without the incident in the first scene where both Goneril and Reagan show
that they are morally corrupt, by making exaggerated claims of love and
devotion to their father. The first scene plays a huge role in disclosing the
views of Lear, Goneril, Reagan, and Cordelia while the second scene exposes
Edmund for what he really is. The views of King Lear himself are more
apparent in the first scene than the views of any other character. When the
play starts out, Lear is very much in control of his kingdom “but the very first
scene gives us a hint of how Lear is going to lose contact with his natural
relation to his environment.” (The Development of Shakespeare’s Imagery,
134) Armed with the foreknowledge that Lear is self-destructing it becomes
easier to understand why he would make such obviously rash decisions.
Along with his rashness, it is shown that Lear asks questions, only willing to
receive the response he wants. When Lear asks Cordelia “what can you say
to draw / A third more opulent than your sisters?” and she replies “Nothing,
my lord.” He inevitably becomes enraged and disowns her simply because
her answer to his question was far from what he had expected to hear. “Lear
determines in advance the answers he will receive; he fails to adapt himself to
the person with whom he is speaking. Hence his complete and almost
incomprehensible misunderstanding of Cordelia.” (The Development of
Shakespeare’s Imagery, 134) Lear’s values permit him only to see one side
of every situation, which is his side. This trait of Lear’s is what causes the
onset of his madness and is thus a very important part of his psyche to
consider. Since Lear feels that he has to be in control of every situation,
when the time finally comes that he realizes he no longer has control of
anything, he snaps. “More and more Lear loses contact with the outside
world; words become for him less a means of communication with others
than a means of expression of what goes on within himself.” (The
development of Shakespeare’s Imagery, 134) While it can be shown that
Lear’s values are what eventually drive him to the verge insanity and beyond,
the first scene does more than outline Lear’s values. As discussed earlier, the
first scene also brings to light the underlying values and immorality in both
Reagan’s and Goneril’s personality. Another important set of values that is
expressed in the first scene is that of Cordelia’s. By not trying to outdo her
sisters outlandish proclamations of love she shows that she truly loves her
father and that she values her love for her father more than anything. This
value that is expressed in the first scene of play becomes very important when
she accepts her father without condition at the end of the play regardless of
the fact that he was so uncaring towards her.
Shakespeare has, without a doubt, written some of the most powerful
plays ever to grace the stage of a theatre. King Lear is no exception. At first
glance, the play seems to be completely ridiculous, in that no human beings
would possibly act the way the characters in King Lear act but there is more
to be offered by the collection of eclectic characters than can be seen at first
glance. The first two scenes offer a great insight into the characters
behaviour by revealing their values through carefully crafted dialogue. Aside
from showing the true colors of the characters, the opening scenes serve to
create an atmosphere for the plot to be outlined in great detail without giving
away how it will unfold. The first two scenes of King Lear are pivotal in
influencing every aspect of the play including the plot, and the values of the
characters contained within the plot.
63d
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French, Marilyn. Shakespeare’s Division of Experience. New York: Summit
Books. 1981.
Hales, John. Notes and Essays on Shakespeare. New York, NY, USA: AMS
Press. 1973.
Lerner, Laurence. Shakespeare’s Tragedies. Middlesex, England: Penguin
Books Ltd. 1964.
Shakespeare, William. King Lear. As reprinted in Elements of Literature.
Toronto: Oxford University Press. 1990.
Young, David. Shakespeare’s Middle Tragedies – A Collection of Critical
Essays. Englewood Cliffs, New Jersey, USA: Prentice-Hall, Inc. 1993.