РефератыИностранный языкPaPaleolithic Cave Paintings Essay Research Paper Paleolithic

Paleolithic Cave Paintings Essay Research Paper Paleolithic

Paleolithic Cave Paintings Essay, Research Paper


Paleolithic art and cave paintings


Paleolithic Art, was produced from about 32,000 to 11,000 years ago, which is


during the Stone Age. It is characterized by two main categories: first of all, by


portable pieces, like small figurines or decorated objects, and second of all, by cave art.


The portable art was carved out of bone, antler, stone, or modeled in clay. It has


mostly been found in Europe, Northern Africa, and Siberia. Cave art however, was


discovered mostly in northern Spain and southern France, whaich takes the form of


paintings, drawings, and engravings on the walls. There have also been pictures and


symbols engraved on rock in the open air, but not much of it has survived.


Paleolithic art was discovered in the 1860s, when French paleontologist


Edouard Lartet found decorated objects in caves in southern France. The objects were


recognized as ancient by their similarity to Stone Age tools and the bones of the Ice


Age animals. These discoveries engaged a want for digging in caves to look for such


objects, but not much attention was given to the paintings on the walls.


The discovery in 1880 of Paleolithic paintings in the Spanish cave of Altamira


was first met with great skepticism. In 1895, engraving covered walls were discovered


in the cave of La Mouthe, in the Dordogne region of southwestern France. Debris had


originaly blocked the entrance to this cave, but Paleolithic deposits in the debris


indicated that the cave paintings were considerably old. In 1901, engravings were


found in the cave of Les Combarelles, such as paintings in nearby Font de Gaume, in


the same region of France as La Mouthe. In 1902 archaeologists admitted to the


existence of art in caves. From then on, many new sites were found, and discoveries


continue even today, most importantly in France and Spain. In 1994, a Frenchman by


the name of Jean-Marie Chauvet discovered a cave in the Ardeche Valley in


southeastern France. The Chauvet cave has many paintings of different animals that


date back 32,000 years, making them the oldest cave paintings ever discovered.


Until not long ago, not much Paleolithic art had been found on the outside of


caves. But since 1981, some archaeologists have discovered a few of outdoor sites in


Spain, Portugal, Australia, and South Africa. In 1994, along the River C a in the north


of Portugal, explorers have came across rocks engraved with human figures, horses,


and wild cattle. Archaeologists estimate that the paintings are somewhat 20,000 years


old. Scientists now think that this kind of art was pretty common, although little of it


survived erosion of wind and rain.


Paleolithic art usually is thought to be either figurative which means,


translating animals or humans, or nonfigurative, which is using signs and symbols.


Animals translated in Paleolithic art depend on the period and region. Cave art


mostly shows horses and bison, but mammoth or deer can be more important at other


sites. Fish and birds are sometimes found in cave paintings or engravings, but are


mostly used for portable art.


Almost all the animals in cave paintings are drawn using their profile. Many of


these images are either not finished or abstract. A few are even imaginary creatures,


like the unicorn translated in a cave in Lascaux, France. The number of animals


translated in cave paintings vary from a few to hundreds in caves like in Lascaux or


Les Trois Fr res. Due to the difficulty to demonstrate a relationship between


drawings, just a small number of scenes have be understood. Some paintings are even


layered one on top of another.


Human figures are not really typical in cave paintings but mostly in portable art.


Small female statuettes known as Venus figures, with exaggerated breasts, abdomen,


and hips, have been found principally in central Europe. They are sensed to represent


firtility.


Signs and symbols are much more important in cave art than representations of


humans or animals. Markings differ from a dot or line to many linear marks, which are


grouped together. Sometimes these signs are completely hidden and closed off in a


cave, but other times they can appear next to figurative images. The less complicated


symbolics, such as handprints outlined in colored earth (done by blowing the paint


through a sort of straw) can be found in many caves.


Most people thought cave art was basicaly used for as decoration, which meant


basically nothing. But as discoveries became more numerous, patterns began to


appear, making us think of the real reasons. Why do we see only certain animals in the


cave paintings? Why is all the art in such hard to find places in the caves? Why were


the caves painted, but not lived in? Strange symbols and figures make us think that


there is some reason to this art. There are a few theories that might help to explain


For some people, Stone Age people painted pictures of animals to effect them


in some way or another. They think that Paleolithic art was spiritual in some way.


They thought, for example, that painting darts or spears on the images of animals


could help them during hunting. Though none of this can be proved. Very little animal


figures acctually have weapons drawn on them. Weapons are also drawn on some


human figures, and a lot of caves do not have any paintings of this type at all. Another


problem with the theory is that there are not any acctual hunting scenes in the caves.


Another theory is that cave art was used as fertility magic. To this theory,


humans painted pictures of animals that they hoped would reproduce. The gender of


the animals were not shown, and the genitals are not very emphasized in the drawings.


Reproduction is seen in only a couple of paintings. People think that the cave art was


made in a ritual of renewal and that redrawing a picture each year, sometimes directly


on top of an old drawing, was made for the animals to return each spring.


>

Annette Laming-Emperaire and Andr Leroi-Gourhan, came up with yet


another theory in the 1950s to explain why the cave art had been painted in certain


ways in each cave. They saw the animal as symbols instead of just paintings of animals.


Due to the fact that horses and bison were mostly concentrated in the central panels,


they thought that these two important images represented a basic duality, for example,


male and femal.


No one can acctually identify if the painters were male or female. Other


researchers have realized that the best decorated panels are found in caves with


especially good acoustics, estimating that sound played an important role in the


ceremonies that might have accompanied the art making in the caves.


Many other theories are being investigated, but no single explanation can be


applied to all Paleolithic art, due to the fact that the artwork was made over a period


of at least 20,000 years and from many different parts of the world.


Paleolithic artists made objects from many different materials. They made


simple forms by changing the forms of natural objects they made holes in teeth,


shells, and bones, or carved them to form beads or pendants. Beads, bracelets, and


armlets were also made out of ivory. Engraved drawings acctually appear on small flat


stones, flat bones, the shafts of bones, and antlers. The many of the Paleolithic


statuettes are made from ivory or from soft stone, but a few clay figurines of humans


and animals have also survived.


Art on cave walls was created in many different ways, using different


techniques. Some images use the natural shapes of the rocks or of mineral formations


such as stalagmites to to form or emphasize some parts of the animal figures. Other


marks come from fingers pressed into a soft layer of clay that covered the rock. In


some caves, finger lines acctually form figures in clay. Work in clay, found only in sites


in the Pyrenees Mountains of southwestern Europe, also includes engravings on cave


floors and low-relief figures modeled in man made clay mounds. Cave artists modeled


bison in high relief in the French cave of Le Tuc d’Audoubert, but at the cave of


Montespan, in France, a 3-D bear sculpture was formed out of about 700 kg of clay.


Wall sculpture, in both low and high relief, has been only found in central


France, where the limestone could be shaped. There have been some traces of red


pigment on almost all the wall sculptures, which means that, like most portable art,


they had been painted.


The red pigment used to paint on the cave walls is made of iron oxide, found in


clays and ores, on the other hand the black pigment is manganese or charcoal. These


materials were usually available only in the areas around the caves. It had been proven


by these pigments that the artists used recipes to prepare paint, combining pigments


with talc or feldspar to to make greater quantities and adding animal and plant oils to


bind the materials.


One of the easiest ways for paleolithic painters was apply the pigment with


their own fingers, but some researchers say that cave artists had acctually developed


special tools for painting. Some say that animal-hair brushes or crushed twigs could


have been used as tools. Chunks of pigment found on cave floors might have been


used as crayons, but were probably used as powder, since they do not mark the cave


rocks well. To make some of the dots, figures and the hand stencils, artists must have


sprayed paint (a substance of powdered pigment, water, and perhaps some form of oil


used as binder) directly from their mouths or through a straw. Artists also painted


figures on the ceilings of the caves. In some caves, the ceilings were too high to reach


without a ladder or some sort of support. At Lascaux, cave walls show holes where


supports might have been attached.


Hearths sometimes used to bring light into caves, but deep in caves artists


would needed more a portable source of light. Archaeologists have found only a few


dozen stone lamps, which means that torches might have been mosty used for light.


Debris of charcoal on cave walls shows that torches were burned inside the caves.


The size of cave paintings a very different. Some of the largest are over 2 m in


length, and drawings of bulls at Lascaux measure as long as 5.5 m. Small figures seem


to appear with larger ones in randomly order, with nothing that really holds them


together in single picture.Since the late 1940s scientists use a process called


radiocarbon dating method to find the dates of many archaeological finds with pretty


good accuracy; the process analyzes the carbon in an object. Since 1989, advances in


radiocarbon dating have helped scientists to find this information even from extremely


small amounts of pigment, so that the method can finally be used to find exactly the


age of the cave paintings. These tests have shown that some figures on the same walls


were made at different times, accumulating slowly over a long time.


Illustrations


Bibliography


L Art Pal olithique, Peter J. Ucko, Andr e Rosenfeld, 1996 Hachette


L art pr historique, Louis.Ren Nougier, 1966 Les Neuf Muses


L art des grottes, Denis Vialou, 1998 +ditions Scala


L objet de l art pr historique, Henri Delporte, 1981 Editions de la R union des


Mus es Nationaux


The Cambricge Illustrated History of Archeology, Paul G. Bahn, 1996 Cambridge


University Press


Art and Trades, William Fleming, 1995 Edition Harcourt Brace College Publishers


A History of Western Art, Laurie Schneider Adams, 1994 Brown and Benchmark


http://www.culture.fr/culture/arcnat/lascaux/en/


http://www.artchive.com/artchive/C/cave.html


http://www.paleolithic.com/


http://www.geocities.com/Athens/2996/tracce3.html#IND


http://www.nhm-wien.ac.at/NHM/Prehist/Homepage_PA_E.html


http://users.hol.gr/ dilos/prehis/prerm4.htm


http://watarts.uwaterloo.ca/%7Eacheyne/signcon.html

Сохранить в соц. сетях:
Обсуждение:
comments powered by Disqus

Название реферата: Paleolithic Cave Paintings Essay Research Paper Paleolithic

Слов:2114
Символов:13975
Размер:27.29 Кб.