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Essay On Lunacies Of Catch22 Essay Research

Essay On Lunacies Of Catch-22 Essay, Research Paper


Joseph Heller, in his Catch-22, satirizes the lunacies and catches


of war and the military. This world which Yossarian and Milo inhabit is a


game to be played very carefully. That the craziness of war is a game can


be supported by the fact that Milo and Yossarian both win, but each having


and utilizing a different strategy. "Milo and Yossarian came from


fundamentally different con-man traditions, both pressed into new extremes.


The contrast in styles can be summed up by saying that Milo is serious but


covert and that Yossarian is open but playful."


Throughout the novel, Milo makes headway by his manipulations and


fast talk. He makes himself invaluable to Colonel Cathcart by forcing him


to realize that he is irreplaceable. He manipulates himself into a


position of acting as a lifeline to the base by appealing to the weaknesses


of his superior officers. Cunningly he maneuvers himself into power and


becomes the most influential person in the entire scope of operations.


However, he loses the sense of the game; he becomes so wrapped up in


gaining position, he lo

ses his sense of awareness and becomes singularly


concerned with money and power.


Yossaarian, on the other hand, remains openly defiant of the game


but succeeds at it because of his playfulness. He attends a march stark


naked, openly aborts missions, and obviously fakes illness to escape "the


game." In doing this he makes his points and accomplishes his goals but


only because of his playfulness. Yossarian made real headway upon his


temporary repression of his ideals and principles but realizing his mistake


changed his mind. He could not manipulate his beliefs as Milo does but


could not advance with open, serious defiance and strict adherence to his


principles. Yossarian sacrificed his only straightforward chance to escape


the crazy "game" because of his beliefs.


The craziness of this game and the winding paths that Yossarian and


Milo follow to no particular end are what signified Catch-22 as a classic


anti-realistic novel. Both characters are thrust into the same situation


and are forced to make the best of it. The choices they make and the


routes they follow through life determine their outcome.

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