РефератыИностранный языкEnEnergizer Batteries Essay Research Paper Energizer batteries

Energizer Batteries Essay Research Paper Energizer batteries

Energizer Batteries Essay, Research Paper


Energizer batteries have been equated with long-lasting energy in


your Walkman or other battery-operated appliance. “That damned


Energizer bunny” is the cause; he’s so aggravating. It seems like


that pink bunny rabbit is running across the television screen


every other second, it’s so annoying. The advertising campaign has


been so effective that not only did the company (finally) surpass


Duracell in sales, but the advertising company was awarded an Obie


(the advertising equivalent of the “Oscar”) as best commercial of


the year. This essay shall attempt to analyze the series of


“Energizer bunny” advertisements.


There is a current trend in modern television advertising for a


series of commercials for the same product. An excellent example


is the ad sequence for “Taster’s Choice” coffee brand, where a man


and a woman share (cups of) coffee amid alluring looks and sexual


innuendos. But I digress. The Energizer camp decided to run a


series, but the ingenuity in the Energizer series is that in every


commercial in the series, not one begins or ends with suggestions


or hints that there was, or will be, another ad before or after


it.


A brief explanation of the plots of these advertisements is


warranted. The first in the sequence shows two toy bunnies,


waddling back and forth across the television screen, and all


beating bass drums. The one not running on Energizer batteries


dies out, and the one on Energizer batteries continues. The next


ad showed the same thing, but with a different ending: the


Energizer bunny waddled off the television screen, out of camera


range, and towards the doors of the studio. The last camera shot


is that of the bunny, headed for the doors amid wires and lights


and such, and a voice over the intercom says, in an authoritarian


voice (probably the director of the commercial), “Stop the bunny.”


The humor from this scene stems from the unexpectedness of the


bunny’s actions; it has a life of its own. The voice of the


director adds to this because his words and tone of voice suggest


that he, too, was unaware of this happening. We don’t know what


happened to the bunny at this point in time, until they show the


other ads.


The other ads can be grouped into two categories: commercials


which advertise other “fake” products until the bunny comes


barging in with that damned bass drum, and views of vast,


wide-open spaces (which sometimes include landmarks around the


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world, like Notre Dame in France, an island in the Bermuda


Triangle, et cetera) with the sounds which naturally occur at


these sites, then having one’s ears assailed with those @%!#$


drums! It is now that the viewer subconsciously realizes that yes,


the bunny has truly “escaped” from the jail called the television


studio, and is now free to roam the world and do as it pleases


(which is simply just to follow the beat of his own drummer [being


himself {this is getting WAY too parenthetical}]). A similar


correlation can be made from this thought and another scene


involving toys and freedom/incarceration: in the movie “Toys” with


Robin Williams (which I truly hated, sans the Magritte style it


used), a war is declared within the toy factory. To help Robin’s


side towards freedom from the maze the other side created, toys of


the company became “accessorized”, if you will, with various


military tools. Robin exclaims, “F.A.O. Schwartzkopf!”


However, a note must be made. Initially, the advertising campaign


did poorly, and the ad company did not know why, until they


realized that the public was not looking for Energizer batteries,


but “the bunny batteries.” It was at this time that the ad


campaign persuaded the company to put the bunny on the packaging.


It worked. People bought the batteries simply because of one


thought that ran through their collective head: “That @%!#$ bunny


won’t ever stop, so I’ll buy batteries that won’t ever stop! I


need batteries that will last as long as possible!” Furthermore,


the ads were the first ads in a long time that actually made us


sit up and take notice. Most couch potatoes sit through


commercials subconsciously, not even aware that they exist in the


first place. The Energizer ads put a stop to this in two ways: it


placed a continuous (therefore, annoying) bass drum beat


throughout the commercials, and ran ads which interrupted a “fake”


commercial. These commercials essentially parody other


commercials, which is why we sit up and take notice. American


television commercials are so popular and so well-loved, that some


of us can recite ad jingles or plots on command. To quote H. Ross


Perot, “this is sad.” We don’t have anything better or more


constructive to do with our lives except to be couch potatoes and


junk-food junkies and screen-staring sillies and wastes of space.


Wake up, America. If this truly is popular culture, then I don’t


want to be cultured in this population.


Bibliography


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