РефератыИностранный языкBeBeowulf Essay Research Paper When you compare

Beowulf Essay Research Paper When you compare

Beowulf Essay, Research Paper


When you compare Beowulf to any modern novel or movie, Beowulf seems childlike


at best. Beowulf is told in a straightforward, uncomplicated manner very unlike


many of today?s works, which contain complex plots and themes. What makes


Beowulf readable to an adult and not just children? Why do people find stories


such as Beowulf so intriguing? Why is Beowulf, or any myth, significant?


Beowulf, the story of the young Beowulf sent by fate to save a kingdom plagued


with a nightmarish monster, a rather basic plot synopsis especially for a story


that has been around for more than one thousand years. However Beowulf contains


far more long-standing impact than a slew of the best selling books at any


bookstore. Beowulf, as any myth, teaches many moral lessons giving us a detailed


insight into the culture and writer?s beliefs through written accounts of


morality and religion and through the tale?s deep symbolism. And it also


provides for an entertaining ride filled with supernatural feats and monsters


with an inspirational hero or role model for the reader. In contrast to some


other popular mythological stories such as the tales of the Greek gods, Beowulf


is almost believable. Beowulf is just over the edge of ?real?, it pushes our


definition of what exists but not to the point to where we cannot imagine what


is happening in the story. Also I feel that Beowulf is a superior work of


mythology because Beowulf is a true and perfect hero, and represents the


personality and courage most people wish they had In Episode 1 the story begins


with the tale of Scyld Sceafing, which parallels Beowulf?s evolution, it is


the motif of a helpless child turning into a great king. Similarly, Sceafing


arrives from the water to the Danish lands in the same way Beowulf arrives. This


is a popular theme in many myths, a small and weak one rising to be strong and a


leader (i.e. Jesus). Part of the beauty of mythology is the repetition of motifs


such as this one. Another facet of mythology that is uncovered in Episode 1 is


religion. In every myth religion is dealt with in some way. Unlike most myths,


however, the religious affiliation and code is hard to decipher. References to


the Old Testament are made often (i.e. Cain and Abel, the flood), but it is


never made quite clear of what the religious beliefs of the Danes are. The


writer himself is definitely familiar with the Bible, and was probably actually


a monk, but the Danes do not seem to be. This raises the question of whether the


original oral presentations contained the religious references or sub-stories


that the written one does. Obviously the hero of the story does not completely


fit the humble pacifist Christian personality, so it is a reasonable inquiry. As


shown here, part of the reason myths are so fascinating is because of the


questions and speculations they cause to arise about the culture and its ideas


from which the myth evolved. In Episode 3 the phenomenal Beowulf arrives on the


Herot scene to slay Grendel. Beowulf in Beowulf is a very strong individual, so


strong in fact that he rips archrival Grendel?s arm cleanly off! This is


impossible of course, for a man to do such thing, physiology doesn?t permit


it. Even more unbelievable is Grendel himself. Grendel?s ?fingers were nails


like steel? (Beowulf Episode 5) and ?no battle sword could harm him – he had


enchantment against the edges of weapons? (Beowulf Episode 6). A fantastic


hero and villain is a key to mythology. Why have such an unreal hero? It?s


simple because he is a hero, a role model, and so why not make him as powerful


and super human as desirable. When the story originated, and was thus truthfully


believed, many youngsters probably idolized the mighty Beowulf, and wanted to


equal his valor and courage. It evoked emotional inspiration to conquer evil


with bravery and goodness, a very desirable goal in any culture. Demonstrated in


Episode 4 was some very dramatic language that made the story very compelling


and entertaining. The author uses some vivid imagery and language to describe


the approaching Grendel?s character ?Came then from the moor under the misty


hills, Grendel stalking under the weight of God’s anger. That wicked ravager


planned to ensnare many of the race of men in the high hall? When he touched


it with his hands the door gave way at once though its bands were forged in


fire. Intending evil, enraged, he swung the door wide, stood at the building’s


mouth? (Beowulf Episode 4). Dramatic language and stunning descriptions are


found in most myths making the scenes and actions in the stories easy to


picture, as well as making the tales more exciting. Myths are usually very


symbolic; in episodes 3 and 4 in Beowulf the heaviest images are the comparisons


between light (Beowulf) and dark (Grendel). The scheme of li

ght equals good and


dark equals evils fits right into Beowulf. Grendel comes in from the dark, the


moors; Beowulf waits in the light of the fire for him. From the beginning


episode, Herot is emphasized with light, when Grendel attacks inside Herot it is


dark. The light and dark forces, good and evil, always come into conflict with


one another. For example, Grendel attacks the Herot because of its goodness


because he is evil. Because Beowulf, on the other hand, is good he slays Grendel.


Then in turn Grendel?s mother seeks revenge for similar reasons. The portrayal


of good and evil also demonstrates this myth?s moral belief system. King


Hrothgar is praised because he ?handed out gold and treasure at huge feasts?


(Beowulf Episode 1), and countless other acts of generosity. Beowulf as already


mentioned was unbelievably strong and heroic, personifying what every warrior


(or man even) should be. In contrast, to these two characters is Grendel who


?blinded by sin? killed and ?felt no remorse? (Beowulf Episode 2), being


the epitome of the ultimate adversary. It?s easy to see what traits and


actions, according to Beowulf are considered desirable and thus good, things


like generosity, strength and bravery. It is equally as simple to pick out that


Grendel?s actions represent absolute wrong and evil. Another Christian


symbolic instance in Beowulf is the battle with Grendel?s mother. He goes down


into the water to battle a demonic monster. I think it symbolizes Beowulf going


down into hell to face a devil. He enters the cavern and it is very dark, but


with the help of God he is able to defeat the demon. And after his victory


?light glittered, a light brightened within, as bright and clear as the candle


of the sky? (Beowulf Episode 7) very similar to the Christian motif of light


shining down from heaven on a saint who has did a great deed. In Episode 8 more


morality lessons are being passed on to the reader, although in a less subtle


method. The last section is about the responsibility of leadership. Hrothgar?s


speech to Beowulf does not focus on the glory of battle; instead, he seems to be


saying to trust in God and to be generous and humble. Beowulf, as any


mythological character, is a perfect example of course. He is benevolent to


Unferth, slays evil monsters, and promises peaces to the Danes. Also Beowulf


dies for his kingdom, or country, setting an example for all warriors or


soldiers to come. Another moral theme that resonates from Beowulf is the idea of


the supremacy of generosity as discussed before. The king gives money and


treasures out unrelentlessly throughout the story and examples are drawn of


greedy and therefore bad kings. The next battle, with the vengeful mother of


Grendel, helps demonstrate the quest aspect of a myth. In most myths the hero


must battle many foes, but they are almost invariably in order of difficulty.


Each adversary is stronger and stronger leading up to the ultimate foe at the


climax of the myth. Beowulf does not differ with regards to this scheme. In the


first battle he dramatically fights Grendel with no weapons or armor, so they


are equals. However when he faces Grendel?s mother, in order equal the battle,


he must turn to a sword. And even with the sword and armor in the fight with


Grendel?s mother it is only by luck and ?God?s grace? that he escapes


the monster?s claws to kill it. Finally later in Beowulf, Beowulf fights the


dragon. He must use a sword, a knife, a shield and even another man to defeat


this worthy foe. However, even with all the weapons and help of Wiglaf, Beowulf


dies in the climactic finale battle between him and the dragon. When I first


read Beowulf, I really thought it was, well, stupid and simple. However upon


this second reading I have developed a fond sort of respect for Beowulf and


other myths. Although I have never really believed nor been extremely influenced


by a myth?s theme or plot, I think they are fascinating. They show so much


about the culture they came from. When reading Beowulf I can just picture a poet


reciting it in Old English to a large hall full of rustic looking men and


captivated children. The story itself is mesmerizing to know that people


actually believed it was true, I try to imagine what it was like fearing


monsters like Grendel or a dragon, or let alone knowing that they such thing


were out in the world. Beowulf successfully fulfills its goal, as shown by its


mere existence through time. It accomplishes the teaching of many moral lessons


giving us a detailed insight into the culture and writer?s beliefs of morality


and religion. And it also provides for an interesting ride filled with


supernatural feats and monsters with an inspirational hero.


?Beowulf.? Translated by Dr. David Breeden. Lone Star. August 1999.


http://www.lnstar.com/literature/beowulf/

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