РефератыИностранный языкCiCinema Paradiso Essay Research Paper In the

Cinema Paradiso Essay Research Paper In the

Cinema Paradiso Essay, Research Paper


In the film “Cinema Paradiso”, Toto, the


main character, is a lost child without a father to provide a male role


model. The story begins after Toto is informed of the death of his dearest


friend, Alfredo. At this point, Toto is a mature man and a successful film


director, having long ago left his home town, Giancaldo. Throughout the


movie, however, Toto is a young boy with little parental support and direction.


The young Toto develops a friendship with Alfredo, the film projectionist


at Giancaldo’s only cinema, the Cinema Paradiso. Alfredo takes Toto under


his supervision and eventually agrees to take him as an apprentice. As


Toto becomes familiar with the inside of the projection booth, he also


learns about life. Alfredo becomes the father Toto has never had. “Cinema


Paradiso” demonstrates, through Toto’s relationship with Alfredo, that


all children need parents to guide and support them to adulthood.


The absence of parental guidance


in Toto?s life has been a reoccurring theme throughout the film.


While he goes to school all day, he spends his nights with Alfredo in the


projection booth. Although Toto?s mother is still alive she is unable


to provide him with the male role model that every small boy needs. It


is as if her soul died with the disappearance of her husband, Toto?s father.


Without someone to look up to, Toto, continually gets himself into trouble.


This remains true in many families across the world, that without the ample


support of both parents, many children find themselves lost.


Toto’s father leaves Italy to fight


in World War II when Toto is very young and has no recollection of his


father. Alfredo knows that an adult male role model is missing in Toto’s


life. In one scene, in which Toto, who works also as an altar boy, walks


with the village priest in the intolerably hot summer sun, Alfredo passes


them on a bicycle. Because Toto is too lazy to walk back to the village,


he feigns a leg injury and hitches a ride behind Alfredo. As both of them


ride back to Giancaldo, Toto asks Alfredo about his father. “He was tall,


thin, jolly,” Alfredo tells him, “with a nice moustache, like mine.” I


like how Alfredo compares his moustache to Toto?s fathers. Its as


if Alfredo knows he can be of help and guidance to the young boys life.


This could spark the concerns that Alfredo never had any children of his


own to love. He goes on to say, “I always tell my children, be careful


how you choose your friends.? “You haven’t got any children,” Toto retorts.


Alfredo replies, “When I do, I’ll tell them.” This scene illustrates Alfredo’s


desire to become the male role model in Toto’s life. Instead of meaning


his own children, Alfredo is referring to Toto. It also portrays


Alfredo as a father by having Toto ride on the handle bars of the bicycle.


Throughout the film, there are many


scenes containing adult males that resemble Toto?s lost father. Cinema


Paradiso is telling us, the viewers, that the missing link is the fact


that Toto?s father is gone. A scene which caught my eye, is where


Toto and his mother are returning from the building where the military


was abl

e to determine Toto?s ?lost? father dead. As they are walking


back through the massive rubble created by war, Toto holds the had of his


weeping mother. He looks over at a film poster advertising Gone with


the Wind. This scene is important because the man in the poster resembles


Toto?s father. When Toto sees this man holding a woman in the poster he


now realizes what an important piece of his life is now gone forever.


He smiles knowing how much his mother and father both loved each other.


With his mother crying up a storm, Toto finds it hard to feel remorse for


a man he didn?t know. Although he does realize what he meant to his


mother, Toto?s father now lives through Alfredo. This scene is also


important because it shows a transition of moving on for both Toto and


his mother.


There is an unfortunate accident


at the Cinema Paradiso, a fire starts when the projector ignites the film.


As Alfredo acts to douse the fire, the reel of the projector explodes and


blinds him in the process. Although this event tragic, from it evolves


a wiser and resourceful Alfredo. The accident provided Alfredo with


an enlightenment on life and a once hidden prospective. At the new


opening of the Paradiso Alfredo shows up to celebrate Toto?s new job as


the projectionist. Instead of talking about films or the stars that


act in them, Alfredo asks Toto about school, which demonstrates his ?father-like?


role. He says to Toto, ?I know now that I?ve lost my sight?I see


better.? As Alfredo says this, he touches the face of Toto, as if


he were ?looking? at his face. When Alfredo takes his hand away,


the face of an older Toto appears. Alfredo goes on to say, ?Things


I never saw before.? Its as is Alfredo watched Toto grow old into


adulthood without even watching just as a father would.


Toto begins to find interest in


the opposite sex when he sees a new girl in his school. Toto and


Alfredo?s talks take a turn towards women and love. Something that


most fathers talk about with their sons. Alfredo tells Toto the story


of a solider who falls in love with a princess. While telling the


story, Alfredo doesn?t tell Toto what it is supposed to mean or how he


can relate it to his own situation. Alfredo leaves him with, ?And


don?t ask what it means. I don?t know. If you figure it out,


you tell me.? This is for Toto to think on his own, about himself,


and about the entire issue of love itself. Without this positive


male role model, Toto could have ended up in jail or other serious trouble,


but with the guidance of Alfredo he was able to succeed into adulthood.


Toto, the main character in the


film ?Cinema Paradiso? is a lost child who requires the support and guidance


of a father, the one thing missing in his life. Growing up in Giancaldo


offered him a broad prospective on life and the world around it.


With the direction given to him by Alfredo, Toto was able to come out of


his young adulthood with knowledge and wits he would have never learned


without him. In the end, Alfredo wants Toto to leave Giancaldo in


search of a ?better? life. I think what Alfredo wants is what he


never got, to explore life outside of his hometown.

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