РефератыИностранный языкOtOthello As Iago Essay Research Paper As

Othello As Iago Essay Research Paper As

Othello As Iago Essay, Research Paper


As villain in Shakespeare?s play Othello, Iago has two main actions. They are


to plot and to deceive. Iago hates Othello for two reasons. He believes that


Othello made love to his wife, and Iago is mad that Cassio was chosen to be


Lieutenant instead of himself. From this hate comes the main conflict of the


play. Iago plans to ruin Othello by carrying out a plan based on lies and


deceit. This plan will make Iago the only person that Othello believes he can


trust, and Iago will use this trust to manipulate Othello. First, Iago plans to


remove Cassio from his position as lieutenant so that he himself take over


Cassio?s position as confidant and Lieutenant to Othello. Then Iago hopes to


convince Othello that Cassio and Desdemona are having an affair. If Iago?s


plan unfolds properly, he will be granted the revenge that he believes he


deserves. Iago?s plan and his motives are disclosed through a series three of


conversations. He speaks with Roderigo twice and Cassio once. These three


conversations show how Iago manipulates others to gain his own ends, and they


also give motives for Iago?s behavior. The conversations all follow the same


pattern. Iago first speaks with Roderigo and Cassio to forward his plan, and


then Iago has a soliloquy in which he discusses his motives. Iago states that


the reasons for his hate are that Othello slept with Emilia and Cassio was


chosen to be Othello?s Lieutenant. However, Iago?s actions lead to ends that


do not revenge his given motives. Coleridge calls Iago?s actions "the


motive-hunting of a motiveless malignity" . In other words, Iago?s only


reason for destroying Othello is that Iago is an inherently bad person. The


conversations that Iago has with Roderigo and Cassio show that Iago invents


reasons for his actions against Othello, so that his own selfish ends can be


met. Iago?s first dialog with Roderigo serves as an introduction to Iago?s


plan. In this scene the reader learns that Roderigo is in love with Desdemona,


because he threatens to drown himself when he learns that Othello and Desdemona


are engaged. Uses Roderigo?s weakness to help him remove Cassio from his


lieutenant position. Iago tells Roderigo to "put money in thy purse"


(333) . Iago believes that Othello and Desdemona will not be together for a very


long time since Othello is a Moor and Desdemona is an aristocrat. Iago urges


Roderigo to earn money now so that he can be an eligible suitor when Desdemona


is looking for another husband. This conversation and the soliloquy following it


introduce the two different sides of Iago. Iago tells Roderigo what he wants to


hear in order to enlist his help. However, in the following soliloquy the reader


is introduced to what Iago really has planned. He states that he would never


associate with someone like Roderigo except to gain his own ends. "Thus do


I ever make my fool my purse–/ For I mine own gained knowledge should profane/


If I would time expand with such a snipe/ But for my sport and profit"


(365-368). Iago feels that Roderigo is a foolish man who exists only for


Iago?s use or "sport." This idea a strengthened by the word


"snipe". The Arden Shakespeare defines snipe as "fool" (p.


159) and states that the word meant "gull or dupe" (p. 159) before


Shakespeare. These definitions emphasize the fact that Iago feels no respect for


Roderigo and is manipulating Roderigo only to further his plan. In the same


speech, Iago?s real plan is revealed only to the audience. Iago wants to


convince Othello that Cassio and Desdemona are in love. They are the two people


that Othello trusts, and if Othello believes that they have turned on him, this


will lead to his downfall. Iago plans to tell Othello that Cassio and Desdemona


are having an affair. Cassio is a ladies man, and Iago believes that Cassio?s


charm makes women fall in love with him. Iago will make the innocent flirtations


of Cassio and Desdemona seem like secret love to Othello. "After some time


to abuse Othello?s ears/ That he is too familiar with his wife/ He hath a


person and a smooth dispose/ To be suspected, framed to make women false"


(378-380). Iago planted a seed of hope in Roderigo, and the next time they speak


Iago uses this hope to turn Roderigo against Cassio. In this scene Iago tells


Roderigo that "Desdemona is directly in love with [Cassio]" (215).


From there previous discussion, Roderigo believes that he will be with Desdemona


when she is no longer with Othello. Here, Roderigo learns that he has


competition, and this information is given to Roderigo only because Iago hopes


that Roderigo will initiate a fight with Cassio. This fight will get Cassio in


trouble and hopefully remove him from his position. Cassio is not an agressive


soldier like Iago, and he has to be tricked and provoked in order to fight. When


Cassio fights with Roderigo, Iago will create a riot in Cyprus and blame the


cause on Cassio. Cassio?s uncharacteristic agression is what ultimately


removes his from his position as lieutenant. Sir, he?s rash and very sudden in


choler, and haply may strike at you. Provoke him that he may, for even out of


that will I cause these of Cyprus to mutiny, whose qualification shall come into


no true taste again but by the displanting of Cassio (261-264). The New Arden


Shakespeare defines "qualifications" as "condition, nature or


pacification" (180) and uses the word "trust" instead of


"taste". When "taste" is used, the line says that the people


of Cyprus will not feel comfortable with their nature until Cassio is removed


from his position. In contrast, when "trust" is used, Iago?s words


say that the people of Cyprus will not be able to trust authorities again until


Cassio is no longer Lieutenant. While Cassio is fighting, Iago is using the


violence to create a riot in Cyprus and unnerve the people. Cassio is blamed for


this riot, and order cannot be restored until he is no longer Lieutenant. The


word "trust" makes more sense in this sentence, because Cassio lost


the trust of the masses when he acted with aggression. He was always a well


mannered and peaceful man, and now the people of Cyprus do not know who he


really is. In the soliloquy following Roderigo?s exit, Iago reveals the real


reasons for his plotting against Othello. Iago says that Othello slept with


Emilia, Iago?s wife, and he feels that he must even the score with Othello by


sleeping with Desdemona. If Iago fails to woo Desdemona, he plans to prove to


Othello that Cassio and Desdemona are having an affair. Iago hope that this


information will make Othello forever jealous. For that I do suspect the lusty


Moor/ Hath leapt into my seat, the thought whereof/ Doth, like a poisonous


mineral, gnaw my inwards/ And nothing can or shall content my soul/ Till I am


evened with his, wife for wife–/ Or failing so, yet that I put the Moor/ At


least into a jealousy so strong/ That judgement cannot cure (282-288). This


soliloquy shows that Iago has no real motives for his actions. To substitute for


real motives, Iago treats rumors like they were facts and invents situations


that never happened in order to suit the ends he wishes to achieve. The Furness


Variorum Edition points out that Iago admits in his first soliloquy that the


affair between Othello and Emilia is only a rumor (p.120-121). "And it is


thought abroad that ?twixt my sheets/ he has done my office. I know not if?t


be true/ But I, for mere suspicion in that kind/ Will do as if for surety"


(369-372). Iago has no reason to hate Othello, but because he is an evil person


Iago wants to ruin Othello?s life. Iago heard a rumor that Othello had slept


with Emilia, and he declares that he will believe this rumor as if it were a


fact. By the time Iago says his second soliloquy, he has convinced himself that


Othello and Emilia had an affair. He is able to say that Othello "hath


leapt into my seat" (283) with such conviction because in his head Iago has


made the rumor a fact. This shows that Iago has no motives for destroying


Othello. He invents reasons why he hates Othello, and these reasons lead to the


end that Iago envisions, not the logical end that these motives should reach. In


this soliloquy the hypocrisy of Iago?s motives and actions is also visible.


Iago says that he wants to be even with Othello "wife for wife" yet he


does nothing to try and get in bed with Desdemona. Instead of wooing Desdemona,


Iago spends his energy on trying to break up the marriage of Desdemona and


Othello. Othello did not break up Iago?s marriage by sleeping with Emilia; it


is never proven that this even happened. Therefore, breaking up Othello?s


marriage does not get Iago revenge in any way. The only way that Iago?s


actions could be the result of his motives is if he is jealous of Othello for


sleeping with Emilia. If Iago was jealous then making Othello jealous would be


an appropriate form of revenge. However, Iago does not seem to regard Emilia as


a wife, and he uses her to forward his plans in the same way that he uses


Roderigo. Iago is not jealous of Emilia and Othello and, therefore, he acts


without motive. In the final conversation Iago is speaking with Cassio instead


of Roderigo. Now that Cassio has been removed from his position as Othello?s


lieutenant he is very vulnerable, and wants only to win Othello?s trust again.


Iago pretends to be Cassio?s friend and uses Cassio to begin the second phase


of his plan. Iago suggests that Cassio request the help of Desdemona to try and


win back the respect of Othello. This is a good idea for two reasons. First,


Desdemona is a person that cannot turn her back on someone in need, such as


Cassio. Secondly, Othello is under Desdemona?s control. Othello loves


Desdemona so much that if she believes Cassio to be trustworthy, Othello will


believe it also. Our general?s wife is now the general? Confess yourself


freely to her. Importune her help to put you in your place again. She is of so


free, so kind, so apt, so blessed a disposition, she holds it a vice in her


goodness not to do more than is requested (292-298). Iago?s hypocrisy is again


illustrated here. In this passage Iago admires and respects Desdemona?s


personality. However, as the New Arden Shakespeare shows, Iago attacked and


ridiculed Desdemona in a previous conversation with Roderigo (p. 201). Iago


tells Roderigo that Desdemona is unintelligent because she is enamored with a


"pestilent complete knave" (239) like Cassio. Iago says this to


infuriate Roderigo. By hearing Iago describe Desdemona as an average person


Roderigo will want to prove him wrong. Roderigo will also want to win Desdemona


from Cassio, who Iago described as unworthy of Desdemona. When Iago again speaks


of Desdemona, this time to Cassio, his opinion of her has changed drastically.


Here she is described as "blessed" (297), when Iago made an issue of


proving that Desdemona is not blessed when speaking with Roderigo. Iago speaks


highly of Desdemona to Cassio so that Cassio will speak to her about Othello.


Cassio thinks that Iago is "honest" (309) and trusts the advice that


Iago gives. Iago acts in any way that helps him destroy Othello. Iago


manipulates his words and uses Cassio and Roderigo as mere means to his own


ends. Iago makes it seem as if he is helping Cassio because he is a genuine


friend. However, in the soliloquy following the reader learns the real reason


why Iago is helping Cassio. Iago?s biggest aim is to ruin the marriage of


Othello and Desdemona. If Cassio asks Desdemona for help and Desdemona speaks


highly of him to Othello, it could appear that the two are in love. Iago plans


to show Othello how often they are together and how close they are. Seeing this


will make Othello jealous. I?ll pour this pestilence into his ear:/ That she


repeals him for her body?s lust/ And by how much she strives to do him good/


She shall undo her credit with the Moor/ So I will turn her virtue into pitch/


And out of her own goodness make the net/ That shall enmesh them all (330-336).


At this point in the play, Iago?s plan is underway. Cassio is no longer


Lieutenant, and the evidence of the affair between Cassio and Desdemona is ready


to be shown to Othello. This is a good concluding soliloquy, because it


foreshadows what will happen. Iago will constantly show Othello that Desdemona


and Cassio are deceiving him, while Desdemona will constantly tell Othello what


a good man Cassio is. These two factors, plus Cassio and Desdemona always being


together, will prove to Othello that Desdemona and Cassio are in love. Through


much deceit and manipulation Iago will drive Othello into madness and ruin the


lives of everyone. Iago never gives a logical reason for ruining the lives of


Othello, Desdemona and Cassio. Iago claims that Othello slept with Emilia, and


he feels that he must have revenge. However, Iago never makes any attempt to


sleep with Desdemona, and he never tries to revenge Emilia?s honor. Instead,


Iago destroys Othello?s marriage, which is illogical given Iago?s stated


motive. Othello did not ruin Iago?s marriage. Iago even admits that he is not


sure if Othello and Emilia were ever together. Yet he uses this as a motive for


revenge anyway, because this allows him to accomplish all of his goals. Iago


becomes Othello?s Lieutenant, and destroys Othello?s marriage. Iago acts in


this illogical manner because he is a naturally bad person who has no real


reason to hate Othello. Iago changes his opinions and makes up events in order


to ruin the lives of those around him. I ago is, as Coleridge said,


"motiveless malignity".


4c9


Furness, Horace Howard, A New Variorum Edition of Shakespeare: Othello.


Philadelphia: J.B. Lippincott Company, copyright 1886. Honigmann, E.A.J. The


Arden Shakespeare: Othello. Surrey, UK: Thomas Nelson and Sons, Ltd, 1997.


Shakespeare, William. "Othello." The Norton Shakespeare. Ed.


Greenblatt, Stephen et al. W.W. Norton and Company: New York, 1997. Pp.


2100-2172.

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