РефератыИностранный языкEvEvelina (By Frances Burney)

Evelina (By Frances Burney)

– The Perfection Of Femininity Essay, Research Paper


EVELINA: PERFECTION OF FEMININITY


When Frances Burney wrote Evelina in the Eighteenth Century, she was


able to capture the essence of what it meant to be a female at this time in history.


Throughout the novel, the character of Evelina captures the hearts of those around


her. Mr. Villars describes Evelina as ?this artless young creature, with too much


beauty to escape notice? (19). The character of Evelina encompasses the traits


attributed to the description of the female gender. These traits include a focus on


the importance of reputation; a lack of passion; and distinct physical attributes.


Above all else, Evelina holds her reputation in highest regards. Eighteenth


Century literature focuses on the belief that an individual?s external behavior


reflected his or her interior belief system. In ?An Essay on Man,? Alexander Pope


writes, ?Know then thyself, presume not God to scan / The proper study of


mankind is man? (II. 1-2). Eighteenth Century society judges individuals based on


their outside appearance. Throughout the novel, Evelina emphasizes her concern


with what other people think of her. When Evelina is in the company of Madame


Duval and her Branghton cousins, she oftentimes hides from her acquaintances,


embarassed to be seen in such company. Upon being seen by Lord Orville when


she is accompanied by prostitutes, Evelina laments, ?How vainly, how proudly


have I wished to avoid meeting him when only with the Branghtons and Madame


Duval,-but now, how joyful should I be had he seen me to no greater


disadvantage? (265). Evelina?s fears her reputation can easily be marred, should


just one man, such as Lord Orville, hold her in low regard.


Lord Orville?s opinion of Evelina plays an important role in her life,


because her primary cause for guarding her reputation is its importance in


courtship. Mr. Villars wisely reminds Evelina, ?Remember…nothing is so delicate


as the reputation of a woman; it is, at once, the most beautiful and most brittle of


human things? (184). The noblemen of the Eighteenth Century sought women


with virtuous reputations. Evelina cautiously regards her suitors, chastising Sir


Clement for his ?insolence? (221). In several instances, Sir Clement attempts to


?affront? Evelina and he offends her with his sexual aggressiveness. On one


occassion, Sir Clement discovers Evelina when she has been seperated from her


party. He uses the opportunity to lead her away into the dark alleys and when


Evelina is offended, he cries, ?Good God!-good Heaven!-my dearest life, what is it


I have done?-what is it I have said?? (221). Evelina refuses to be treated as


woman whose virtue could be in question. For example, after sending a letter of


apology Lord Orville for her party using his carriage without permission, Evelina


is mortified when Lord Orville sends a response which implies her intention to be


impure. Evelina?s main concern is that others think highly of her, especially when


it comes to her virtue.


While Evelina does keep her virtue intact, the most potentially damaging


aspect of her character are the circumstances of her birth. Since her father has not


claimed her as his legitimate child, Evelina must assume the false name of Anville.


Lady Howard writes to Lord Belmont, informing him, ?To be owned properly by


you, is the first wish of her heart? (148). It is not until Lord Belmont


acknowledges Evelina as his daughter that she is able to achieve true harmony in


her life. From this point on, Evelina?s life achieves near-perfection. She marries


the man of her dreams, holds a high place in society, and both her reputation and


the reputation of her mother is clear.


While Evelina exalts in her reunion with her father, she feels uncomfortable


expressing the strong emotions she feels on such an occassion. This is due to the


fact that the ideal Eighteenth Century female was unable to display passion.


Evelina acts passive and agreeable, just as Evelina does in her conversations with


the Branghton sisters. After being asked what she thinks of Mr. Brown, Evelina


replies, ?I am no judge,-but I think his person is very-very well? (190). Eveli

na?s


ambiguous response perplexes the sisters, because she has skirted the issue at


hand. Evelina also manages to remain unsided when the Branghtons ask her to


vote on their choice of activities for the evening. Evelina responds, ?I said, that as


I was ignorant what choice was in my power, I must beg to hear their decisions


first? (214). Evelina never casts a vote and the party remains at home. While


Evelina may appear indecisive in these situations, she plays the role of passive


female to fit the description of ideal femininity.


In actuality, Evelina displays high levels of passion at several points in the


novel. Upon meeting her father, Evelina writes, ?I could restrain myself no longer;


I rose and went to him; I did not dare speak, but with pity and concern unutterable,


I wept and hung over him? (427). Evelina is unable to hide the passion she feels


towards her father. When Evelina finds Mr. Macartney about to kill himself, she


writes, ?I grew stiff with horror: till recollecting that it was yet possible to prevent


the fatal deed, all my faculties seemed to return, with the hope of saving him?


(202). Evelina shows remarkable passion when saving the life of her brother. She


also reveals her passion for the city of London when she writes to Mr. Villars to


ask for permission to go to there. She writes, ?I have no happiness or sorrow, no


hope or fear, but what your kindness bestows, or your displeasure may cause. You


will not, I am sure, send a refusal without reasons unanswerable, and therefore I


shall chearfully acquiesce. Yet I hope-I hope you will be able to permit me to go!?


(26). In actuality, Evelina desperately wishes to visit London, and while she does


not directly express this interest to Mr. Villars, her passion in the matter becomes


clear. Essentially, Evelina does feel passions, yet she hides them with her displays


of passivity and indecisiveness.


While the ideal Eighteenth Century woman did not openly display her


passions, she did display certain physical attributes. Throughout the novel,


Evelina?s suitors praise her for her beauty. Sir Clement describes Evelina as


?loveliest of women? (221), while Lord Orville?s companion refers to Evelina as


?the most beautiful creature I ever saw in my life? (38) and compares her to the


infamous Helen of Troy. Evelina accentuates her beauty by assuming good


grooming habits along with wearing fine garments, on which the Branghton sisters


compliment her.


Evelina?s beauty is decribed as pale and soft, resembling a delicate work of


art. When she becomes lost from her party, a party of men heckles the beautiful


girl assuming she is a prostitue, as one exclaims, ?[She is] the voice of the prettiest


little actress I have seen this age? (220). Evelina?s beauty, while it does cause her


troubles, eventually results in her marriage to the man of her dreams. The novel


concludes with Evelina marrying Lord Orville, which also concludes the point in


her life which she is considered a vital and important female in society. The ideal


woman in the Eighteenth Century, upon marriage, immediately withdrew to


domestic life. At formal gatherings in London, married women retired to a


seperate room to play cards. Evelina writes, ?My mamma Mirvan, for she always


calls me her child, said she would sit with Maria and me till we were provided


with partners, and then join the card-players? (31). At the end of the novel,


Evelina marries Lord Orville, finishing her reign as the ideal of Eighteenth


Century femininity.


When Evelina rides off into the sunset, so to speak, with her Prince


Charming at the end of Evelina, the reader exalts in her victory. This is due to the


fact that Evelina represents the ideal female of the Eighteenth Century, so her


happiness is a necessary conclusion. Throughout the novel, Evelina?s gender is


contructed in the following characteristics: a focus on the importance of


reputation, a lack of passion, and distinct physical attributes. While Evelina may


or may not naturally possess these characteristics, she adopts them in order to


appear the ideal of femininity. In the end, Evelina achieves the exact results she


was looking for.

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